Lullaby (Opus 44 No 4) by Johannes Brahms (1833-1897) Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. Brahms is sometimes grouped with Johann …
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Gymnopedie No 1 by Erik Satie (1866-1925) Written in 1888, the 3 piano pieces entitled Trois Gymnopedies are probably French composer Erik Satie’s most famous work. Gymnopedies named after the Gymnopaidiai festival of ancient Sparta. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédie …
Popolo Di Pekino by Giacomo Puccini (1858-1924) Giacomo Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire. Some of his arias, such as “O mio babbino caro” from Gianni Schicchi, “Che gelida manina” from La bohème, and “Nessun dorma” …
Pie Jesu by Gabriel Faure (1845-1924) Cantique de Jean Racine (Op. 11) is a work for mixed chorus and piano or organ by Gabriel Fauré. Written by the nineteen year old composer in 1864-5, the piece won Fauré the first prize when he graduated from the École Niedermeyer and was first performed the following year …
Rosita by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was …
Danza Guarani by Agustin Mangore (1885-1944) Time 2:01 Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …
Tango by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was …
Prelude 4 in E Major by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 7 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 2 in A minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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