South America

Sargento Cabral by Agustin Barrios Mangore

Sargento Cabral by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …

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Valsa by Dilermando Reis

Valsa by Dilermando Reis (1916-1977) Dilermando Reis was a Brazilian musician, composer, acoustic guitarist and music teacher. He once had Juscelino Kubitschek, the former Brazilian president, as a student.

Introducao Poema Dos Olhos Da Amada by Baden Powell

Introducao Poema Dos Olhos Da Amada by Baden Powell (1937-2000) Baden Powell de Aquino usually known simply as Baden Powell, was one of the greatest Brazilian guitarists. He explored the instrument to its utmost limits, playing it in a distinctive, unique manner, incorporating virtuoso classical techniques together with popular harmony and swing.

Choros No 5 by Heitor Villa-Lobos

Choros No 5 by Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos was a Brazilian composer, described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known and most significant Latin American composer. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition.

Sarita Mazurka by Agustin Barrios Mangore

Sarita (Mazurka) by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …

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Tua Imagem Vals by Agustin Barrios Mangore

Tua Imagem Vals by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …

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Vidalita by Agustin Barrios Mangore

Vidalita by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and Romantic …

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Tango No 2 by Agustin Barrios Mangore

Tango No 2 by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …

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Serenata Morisca by Agustin Barrios

Serenata Morisca by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …

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La Bananita by Agustin Barrios

La Bananita by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …

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