Ojos Engros (Dark Eyes) Russian Folksong The melody of ‘Ojos negros que fascinan’, a bolero, was composed upon request by Garay to a Russian choir girl with beautiful and expressive eyes when an Opera company from Russia came to visit Cuba in the early to mid-1890s. Garay stated that “the melody of ‘Ojos negros’ (Dark …
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pujol-plaza-italia by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who revolutionized …
Nostalgiaby Julio Salvador Sagreras (1879-1942) Julio Salvador Sagreras was an Argentine guitarist and composer. His parents were guitarists, who taught him the guitar very early. He progressed quickly and became professor of guitar in Académia de Bellas Artes. In 1905 he opened his own school, Academia de Guitarra.
Odeon by Ernesto Nazareth (1863-1934) Ernesto Júlio de Nazareth was a Brazilian composer and pianist, especially noted for his creative tango and Choro compositions. Nazareth was noted for creatively combining diverse influences into his music, not only of Brazilian music but also from the music of Europe, Africa and ragtime. Many of his compositions remain …
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Choro No 2 by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Oriente by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set Lauro’s fame in the …
Suite del Plata No 1 (Milonga) by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos …
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Rosa Carioca by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Rosa Carioca by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Estudio en Imitaciones No 4 by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set …
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