Oriente by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set Lauro’s fame in the …
Suite del Plata No 1 (Milonga) by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos …
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La Pajarera by Manuel Ponce (1882-1948) Manuel Ponce was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a usually forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and …
Cuiden su Vida by Manuel Ponce (1882-1948) Manuel Ponce was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a usually forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies …
Czárdás by Vittorio Monti (1868-1922) Vittorio Monti was an Italian composer, violinist, mandolinist and conductor. His most famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra. In Paris, Monti was a significant figure in the Mandolin community, he created the “La Stella”, a group based around mandolin and guitar …
Valseana by Sergio Assad (1952-) Sergio Assad is a Brazilian guitarist, composer, and arranger who often performs with his brother, Odair in the guitar duo Sérgio and Odair Assad, commonly referred to as the Assadbrothers or Duo Assad. Over the last twenty years Assad has concentrated most of his efforts on building a repertoire for …
Rosa Carioca by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Inspiração (Preludio) by Garoto (1915-1955) Garoto (real name Anibal Augusto Sardinha) started young with the banjo. At the age of 15, Garoto recorded his first solo record with his own compositions. At the age of 18, he received lessons in classical guitar from Attilio Bernardini. Despite his early death at the age of 39, he …
Rosa Carioca by Joao Penambuco (1883-1947) João Teixeira Guimarães (1883-1947), better known as João Pernambuco, is one of the founders of the Brasilian guitar choro style, and his compositions for solo violão are deservedly considered belonging to the core of classic choro, popular with guitarists, loved and admired by audiences in Brazil and elsewhere.
Estudio en Imitaciones No 4 by Antonio Lauro (1917-1986) Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set …
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