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Mala Variacia by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Etude in G by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Opus 13 No 7 Adagio by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Opus 13 No 7 Romanze and Variation by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Opus 9 No 4 Landler by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Opus 13 No 3 Capriccio by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Polacca by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Le Gondolier by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Romance by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Opus 4 No 2 Part 1 Nocturne by Johann Kaspar Mertz (1806-1856)
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János Gáspár Mertz was born in Pozsony, Kingdom of Hungary, now Bratislava (Slovakia). A virtuoso, he established a solid reputation as a performer. Mertz’s guitar music, followed the pianistic models of Chopin, Mendelssohn, Schubert and Schumann, rather than the classical models of Mozart and Haydn (as did Sor and Aguado), or the bel canto style of Rossini (as did Giuliani).
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Read the rest of this entry »