Saltarello by Anonymous (Arranged by Narciso Yepes) The saltarello is a musical dance originally from Italy. around late-fourteenth- or early fifteenth-century. It is usually played in a fast triple meter and is named for its peculiar leaping step, after the Italian verb saltare (“to jump”). This characteristic is also the basis of the German name …
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Allemande de court by Emanuel Adrianssen (1554-1604) Emmanuel Adriaenssen was a Flemish lutenist and influential author of Pratum Musicum. This contains lute solos, and more importantly settings of madrigals for multiple lutes and different ensembles involving lutes and voices giving much study material for the researcher into renaissance performance practice. The ensemble pieces have been …
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Crepusculo by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
Vals Intimo by Emilio Pujol (1886-1980) Emili Pujol Vilarrubí was a composer and the leading twentieth century musicologist and classical guitar teacher. He began his studies with Francisco Tárrega at the Conservatory of Barcelona in 1901, when he was fifteen years of age.
Etude 7 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 11 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 8 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 9 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Etude 13 by Maximo Diego Pujol (1957-) Since his earliest days as a professional musician and composer, Pujol has strived for an ever-closer fusion of traditional Argentine Tango and formal academic concepts. This musical quest on the guitar stems from a thorough, almost obsessive, study of the works of Heitor Villa-Lobos and Leo Brouwer, who …
Caprice Opus 20 No 11 by Luigi Legnani (1790-1877) Luigi Rinaldo Legnani was an Italian guitarist, singer, composer and luthier. He is perhaps best known for his 36 Caprices for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini’s 24 Caprices for the violin.
