Temptation Of The Renaissance by Stepan Rak
Temptation Of The Renaissance by Stepan Rak (1945-) Štepán Rak is a Rusyn-born Czech classical guitarist and composer. He is well known for the technical innovations that he uses in his compositions.
Temptation Of The Renaissance by Stepan Rak (1945-) Štepán Rak is a Rusyn-born Czech classical guitarist and composer. He is well known for the technical innovations that he uses in his compositions.
BWV 40 Soar Upwards to Thy God by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
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Feste Lariane by Luigi Mozzani (1869-1943) Mozzani guitarist Louis was a great performer, teacher, composer and instrument maker. He was born in Faenza,Italy, March 9, 1869. Soon his tour took him to America where he lived for two years (1894-1896) and where he published in New York the three volumes of “Studies for Guitar”. He …
Etude No 5 by Gerald Garcia (1949-) Gerald Garcia (born 1949 in Hong Kong) is a British classical guitarist and composer. Garcia is also known as a composer, particularly for his Etudes Esquisses for guitar, recorded for Naxos Records by John Holmquist. He is musical director of the National Youth Guitar Ensemble.
Habanera from Carmen by Georges Bizet (1838-1875) Georges Bizet was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.
BWV 190 Sing The Lord A New SonG by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
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BWV 768 Hail to Thee Jesus Kind by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
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BWV 178 Had God the Lord Not Remained with Us by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and …
BWV 178 Had God the Lord Not Remained with Us by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 93 He Who Lets Only Beloved God Rule by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …
BWV 93 He Who Lets Only Beloved God Rule by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 657 Now Let All Thank God by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
BWV 8 Dearest God, When Shall I Die by Johann Sebastian Bach (Guitar Tab) Read More »