Bachianas Brasileiras No 5 Aria by Heitor Villa-Lobos (1887-1959) Heitor Villa-Lobos was a Brazilian composer, described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known and most significant Latin American composer. His music was influenced by both Brazilian folk music and by stylistic elements from the European …
Balada para Martin Fierro by Ariel Ramirez (1921-2010) Ariel Ramírez was an Argentine composer, pianist and music director. He was considered “a chief exponent of Argentine folk music” and noted for his “iconic” musical compositions. Ramírez is known primarily for his Misa Criolla (1964). It allowed him to travel around Europe and Latin America to …
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Dor Secreta by Ernesto Nazareth (1863-1934) Ernesto Júlio de Nazareth was a Brazilian composer and pianist, especially noted for his creative tango and Choro compositions. Nazareth was noted for creatively combining diverse influences into his music, not only of Brazilian music but also from the music of Europe, Africa and ragtime. Many of his compositions …
Oblivion (Arranged by Nadia Kossinskaja) by Ástor Piazzolla (1921-1992) Ástor Pantaleón Piazzolla was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneónist, he regularly performed his own compositions with different ensembles.
1922 (Tango) by Ernesto Nazareth (1863-1934) Ernesto Júlio de Nazareth was a Brazilian composer and pianist, especially noted for his creative tango and Choro compositions. Nazareth was noted for creatively combining diverse influences into his music, not only of Brazilian music but also from the music of Europe, Africa and ragtime. Many of his compositions …
Velha Seresa by Dilermando Reis (1916-1977) Dilermando Reis was a Brazilian musician, composer, acoustic guitarist and music teacher. He once had Juscelino Kubitschek, the former Brazilian president, as a student.
Londón Carapé (Danza Paraguay No.3) by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of …
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Humoresque by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and Romantic …
Esperança by Garoto (1915-1955) Garoto (real name Anibal Augusto Sardinha) started young with the banjo. At the age of 15, Garoto recorded his first solo record with his own compositions. At the age of 18, he received lessons in classical guitar from Attilio Bernardini. Despite his early death at the age of 39, he had …
Chorando pra Pixinguinha by Toquinho (1946-) Antônio Pecci Filho, better known as Toquinho, is a Brazilian singer and guitarist. He is well-known for his collaborations, as composer and performer, with Vinicius de Moraes. As he was very short along his childhood, her mother used to call him “meu toquinho de gente” (“my piece of person”). …
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