Prelude 14 in B Minor by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …
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Prelude 31 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Prelude 32 in E by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others …
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Opus 48 No 19 (Study) by Mauro Giuliani (1781-1829) Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the …
Estudio del Ligadoby Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and …
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Study No 16 (study) by Dionisio Aguado (1784-1849) Dionisio Aguado was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel Garcia. In 1825, Aguado visited Paris, where he met and became friends with lived with Fernando Sor. Aguado’s major work Escuela de Guitarra was a guitar tutorial published in 1825. Dionisio …
La Catedral (Allegro Solemne) by Agustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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Vals Estudio No 1 by Augustin Barrios Mangore Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …
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Preludio in E Major by Agustin Barrios Mangore Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque …
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Las Abejas (The Bees) by Augustin Barrios Mangore (1885-1944) Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the …
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