Opus 59 No 37 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 100 No 1 by Mauro Giuliani (1781-1829) Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, …
Opus 59 No 36 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 59 No 35 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 59 No 34 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 59 No 33 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 59 No 32 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Opus 59 No 31 by Matteo Carcassi (1792-1853) Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical …
Aires De Puerto Real by Sabicas (1912-1990) Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
Historia De Un Pais Del Sur 9 by Atsumasa Nakayabashi (20th Century) Historically, the Japanese have engaged in a continuous blending of borrowed cultures with their own traditional culture. In the 20th century, this legacy continues with the intermingling of Western instruments and music with traditional Japanese instruments and music…
