Francisco Tarrega

Sueno (Tremolo) by Francisco Tarrega

Sueno (Tremolo) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this …

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Estudio No 4 (Estudio en Arpegios) by Francisco Tarrega

Estudio No 4 (Estudio en Arpegios) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for …

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Estudio No 3 in A by Francisco Tarrega

Estudio No 3 in A by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …

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Estudio No 7 by Francisco Tarrega

Estudio No 7 (Estudio sobre un fragmento de Beethoven) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the …

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Estudio No 9 by Francisco Tarrega

Estudio No 9 (en la mayor) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for …

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Estudio No 8 (Sobre un fragmento de Mendelssohn) by Francisco Tarrega

Estudio No 8 (Sobre un fragmento de Mendelssohn) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails …

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Estudio No 11 by Francisco Tarrega

Estudio No 11 (Estudio inspirado en J.B. Cramer) by Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails …

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Ave Maria by Bach/Gounod

Ave Maria (Bach Gounod) arranged by Francisco Tarrega (1852-1909) The piece consists of a melody by the French Romantic composer Charles Gounod especially designed to be superimposed over the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach’s The Well-Tempered Clavier, written some 137 years earlier. Transcribed for the guitar …

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Isabel (Waltz) by Francisco Tarrega

Isabel (Waltz) Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was …

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Fantasia On Themes From La Traviata by Francisco Tarrega

Fantasia On Themes From La Traviata Francisco Tarrega (1852-1909) Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. …

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