BWV 232 Agnus Dei (Mass in B Minor) by Johann Sebastian Bach (1685 – 1750) The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Latin Mass. The work was one of Bach’s last compositions, not completed until 1749, the year before his death. Since the nineteenth …
BWV 232 Agnus Dei by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 813 Minuet by Johann Sebastian Bach (1685-1750) Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
BWV 998 Prelude 1 (Drop D) by Johann Sebastian Bach (1685-1750) Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
BWV 998 Prelude 1 by Johann Sebastian Bach (1685-1750) Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
Ave Maria (Bach Gounod) arranged by Francisco Tarrega (1852-1909) The piece consists of a melody by the French Romantic composer Charles Gounod especially designed to be superimposed over the Prelude No. 1 in C major, BWV 846, from Book I of J.S. Bach’s The Well-Tempered Clavier, written some 137 years earlier. Transcribed for the guitar …
BWV 996 Allemande by Andrés Segovia (1893-1987) Andrés Segovia was a virtuoso Spanish classical guitarist from Linares, Jaén, Andalucia, Spain. He is widely considered to be one of the best known and most influential classical guitar personalities of the 20th century, having a considerable influence on later guitarists, particularly because of important guitar works that …
BWV 297 O Highest God O Our Dear Lord by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …
BWV 297 O Highest God O Our Dear Lord by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 405 O How Blessed Ye Are Ye Faithful by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …
BWV 405 O How Blessed Ye Are Ye Faithful by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 658 From God I Will Not Depart by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …
BWV 658 From God I Will Not Depart by Johann Sebastian Bach (Guitar Tab) Read More »
BWV 78 From Thy Sleep Awake Thee by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, …
BWV 78 From Thy Sleep Awake Thee by Johann Sebastian Bach (Guitar Tab) Read More »
