Waltz No 2 by Dmitri Shostakovich

Waltz No 2 by Dmitri Shostakovich (1906-1975)

shostakovich Waltz No 2 is the seventh movement of The Suite for Variety Orchestra by Dmitri Shostakovich. The work consists of a collection of movements which derive from other works by the composer. Waltz No 2 was used in the 1999 Stanley Kubrick film Eyes Wide Shut, as the opening title and closing credit theme

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Opus 14 Gran Solo by Fernando Sor

Opus 14 Gran Solo by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 6 by Fernando Sor

Opus 57 No 6 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 5 by Fernando Sor

Opus 57 No 5 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 4 by Fernando Sor

Opus 57 No 4 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 3 by Fernando Sor

Opus 57 No 3 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 2 by Fernando Sor

Opus 57 No 2 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Opus 57 No 1 by Fernando Sor

Opus 57 No 1 by Fernando Sor (1778-1839)

Fernando Sor Fernando Sor was a Spanish concert performer and wrote over 60 guitar works (sonatas, studies, variations etc) and an important method (1830). His guitar music is notable for its part-writing. He was also admired for his songs and eight ballets (1821-8); other works include an opera (1797) and chamber and keyboard pieces.

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Suite Venezolana 4 (Vals) by Antonio Lauro

Suite Venezolana 4 (Vals) by Antonio Lauro (1917-1986)

Antonio Lauro Antonio Lauro was a Venezuelan musician, considered to be one of the foremost South American composers for the Guitar in the 20th century. The works of Antonio Lauro have long been very popular with guitarists worldwide, several recordings by John Williams and David Russell have set Lauro’s fame in the honorific place he deserves.

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Vals Estudio No 1 by Augustin Barrios Mangore

Vals Estudio No 1 by Augustin Barrios Mangore

Agustin Barrios Mangore Barrios’s compositions can be divided into three basic categories: folkloric, imitative and religious. Barrios paid tribute to the music and people of his native land by composing pieces modeled after folk songs from South America and Central America. Imitating the compositional style and techniques of the Baroque and Romantic periods was another side to his craftsmanship.

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