Walsingham (Galliard) by John Dowland

Walsingham (Galliard) by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Mrs Vauxes Gigge by John Dowland

Mrs Vauxes Gigge by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Lady Hunsdon Alman by John Dowland

Lady Hunsdon Alman by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Hasellwoods Galliard by John Dowland

Hasellwood’s Galliard by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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The Shoemakers Wife A Toy by John Dowland

The Shoemakers Wife A Toy by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Forlorn Hope Fancy Chromatic Fantasia by John Dowland

Forlorn Hope Fancy Chromatic Fantasia by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Mrs Whites Thing by John Dowland

Mrs Whites Thing by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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The Right Honorable Robert The Lady Rich Her Gailliard by John Dowland

The Right Honorable Robert The Lady Rich Her Gailliard by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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The Right Honorable Robert Earl of Essex His Galliard by John Dowland

The Right Honorable Robert Earl of Essex, His Galliard by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Wilsons Wilde by John Dowland

Wilsons Wilde by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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