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May 13, 2013 0
BWV 813 Minuet by Johann Sebastian Bach (1685-1750)
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Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. |
Apr 18, 2013 0
BWV 998 Prelude 1 (Drop D) by Johann Sebastian Bach (1685-1750)
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Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. |
Apr 15, 2013 2
BWV 998 Prelude 1 by Johann Sebastian Bach (1685-1750)
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Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. |
Apr 5, 2012 0
BWV 297 O Highest God O Our Dear Lord by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Apr 4, 2012 0
BWV 405 O How Blessed Ye Are Ye Faithful by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Apr 3, 2012 0
BWV 658 From God I Will Not Depart by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Apr 2, 2012 0
BWV 78 From Thy Sleep Awake Thee by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Apr 1, 2012 0
BWV 385 Now Let Us Beg True Faith of The Holy Ghost by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Mar 31, 2012 0
BWV 272 Praise God Our Lord by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
Mar 30, 2012 2
BWV 448 The Last Hour of My Life by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day. |
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