Phantasia 2 by David Kellner

Phantasia 2 by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

Phantasia by David Kellner

Phantasia by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

Phantasia in A moll by David Kellner

Phantasia in A moll by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

Giga by David Kellner

Giga by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

Aria 2 by David Kellner

Aria 2 by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

Aria by David Kellner

Aria by David Kellner (1670-1748)

David Kellner David Kellner was a German composer of the baroque period and a contemporary of Bach. As well as compositions for the lute which are today highly regarded, he wrote on the theory of music, and particularly on writing for equal temperament.

Read the rest of this entry »

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