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BWV 297 O Highest God O Our Dear Lord by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 405 O How Blessed Ye Are Ye Faithful by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 658 From God I Will Not Depart by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 78 From Thy Sleep Awake Thee by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 385 Now Let Us Beg True Faith of The Holy Ghost by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 272 Praise God Our Lord by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 448 The Last Hour of My Life by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 74 Come To Me Says Gods Son by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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Read the rest of this entry »
BWV 287 Jesus Christ Our Lord by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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BWV 55 Be Glad My Soul by Johann Sebastian Bach (1685-1750)
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In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.
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Read the rest of this entry »
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