Go From My Window Easy by John Dowland

Go From My Window (Easy) by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Go From My Window by John Dowland

Go From My Window by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Queen Elizabeths Galliard by John Dowland

Queen Elizabeths Galliard by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

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Almain by Richard Allison

Almain by Richard Allison (1560-1610)

Richard Allison was an English composer. He wrote de la Tromba, a fine broken consort piece which has several professional recordings and first became well known due to the Julian Bream Consort.
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Almain by Robert Johnson

Almain by Robert Johnson (1583-1634)

Robert Johnson was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called “Robert Johnson II” to distinguish him from an earlier Scottish composer. He worked with William Shakespeare providing music for some of his later plays.
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Dowland’s Galliard by John Dowland

Dowland’s Galliard by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

Read the rest of this entry »

Almain by John Dowland

Almain by John Dowland (1563-1626)

John Dowland This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.

Read the rest of this entry »

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