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Song Of The Marionettes by Anonymous
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The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never before.
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Menuet in D by Anonymous
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The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never before.
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Lamento Di Tristan by Anonymous
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The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never before.
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The Coolin by Anonymous
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The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never before.
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Read the rest of this entry »
Czech Medley by Anonymous
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The Renaissance (which means “rebirth or “revival”) began around 1400 and ended in the early 1600s. The musicians and artists of the Renaissance looked back to classical models, spawning a new era of artistic growth. With the invention of the printing press, music became avaialble to the public as never before.
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Read the rest of this entry »
Danse by Anonymous
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This trio is from an interesting eighteenth century lute-book now in the Cologne Stadtbibliothek, which includes compositions by Lauffensteiner, Weiss and others. The minuet to which belongs to unfortunately not amenable to transposition, but this seems insufficient reason not to include a delightful duet which stands well by itself.
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Como Distinguire A Tu Amor by Anonymous
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This trio is from an interesting eighteenth century lute-book now in the Cologne Stadtbibliothek, which includes compositions by Lauffensteiner, Weiss and others. The minuet to which belongs to unfortunately not amenable to transposition, but this seems insufficient reason not to include a delightful duet which stands well by itself.
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Read the rest of this entry »
Trio by Anonymous
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This trio is from an interesting eighteenth century lute-book now in the Cologne Stadtbibliothek, which includes compositions by Lauffensteiner, Weiss and others. The minuet to which belongs to unfortunately not amenable to transposition, but this seems insufficient reason not to include a delightful duet which stands well by itself.
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Read the rest of this entry »
Minuet in E by Anonymous
Level Beginner
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The library of the Benedictine monastery in Kremsmiunster, Austria, contains a valuable collection of manuscript lute books of the 17th amd 18th cemturies. Many of the works are anonymous. The minuet of this period may be characterized as an elegant dance form of lively tempo, graceful rather than rapid.
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Minuet in G by Anonymous
Level Beginner
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The library of the Benedictine monastery in Kremsmiunster, Austria, contains a valuable collection of manuscript lute books of the 17th amd 18th cemturies. Many of the works are anonymous. The minuet of this period may be characterized as an elegant dance form of lively tempo, graceful rather than rapid.
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Read the rest of this entry »