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Walsingham (Galliard) by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Mrs Vauxes Gigge by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Lady Hunsdon Alman by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Hasellwood’s Galliard by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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The Shoemakers Wife A Toy by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Forlorn Hope Fancy Chromatic Fantasia by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Mrs Whites Thing by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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The Right Honorable Robert The Lady Rich Her Gailliard by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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The Right Honorable Robert Earl of Essex, His Galliard by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Wilsons Wilde by John Dowland (1563-1626)
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This tuneful dance by John Dowland should be played at a moderate to lively tempo. Note that the piece is made up of four eight-bar (measures) phrases, and that the last four bars of each phrase are a repetition of the first four. To achieve a good dynamic contrast either play the last four bars of each phrase more softly than the first four, or closer to the bridge (sul ponticello) for a more nasal tone color.
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Read the rest of this entry »
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