Chorale

BWV 643 All Men Must Die by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …

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BWV 664 Only to God on High Be Glory by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …

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BWV 33 Only in Thee Lord Jesus Christ by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …

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BWV 265 Up Up My Heart And Thou My Entire Being by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony …

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BWV 744 In My Dear God by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by …

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BWV 4 Christ lay in the Bonds of Death by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice …

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BWV 275 Christ, Thou Support of Thy Followers by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …

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BWV 285 As Lord Christ Was at Supper by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …

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BWV 614 The Old Year Has Passed Away by Johann Sebastian Bach (1685-1750) In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. …

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