Opus 59 No 3 by Mauro Giuliani

Opus 59 No 3 by Mauro Giuliani (1781-1829)

Mauro Giuliani Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.

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Opus 59 No 2 by Mauro Giuliani

Opus 59 No 2 by Mauro Giuliani (1781-1829)

Mauro Giuliani Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.

Read the rest of this entry »

Opus 59 No 1 by Mauro Giuliani

Opus 59 No 1 by Mauro Giuliani (1781-1829)

Mauro Giuliani Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.

Read the rest of this entry »

Opus 10 No 11 by Matteo Carcassi

Opus 10 No 11 by Matteo Carcassi (1792-1853)

Matteo Carcassi Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical skills and brilliant romantic music.

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Opus 59 No 15 by Mauro Giuliani

Opus 59 No 15 by Mauro Giuliani (1781-1829)

Mauro Giuliani Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.

Read the rest of this entry »

Opus 10 No 5 by Matteo Carcassi

Opus 10 No 5 by Matteo Carcassi (1792-1853)

Matteo Carcassi Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical skills and brilliant romantic music.

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Opus 39 No 29 by Anton Diabelli

Opus 39 No 29 by Anton Diabelli (1781-1858)

Anton Diabelli These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.

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Opus 10 No 2 by Matteo Carcassi

Opus 10 No 2 by Matteo Carcassi (1792-1853)

Matteo Carcassi Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical skills and brilliant romantic music.

Read the rest of this entry »

Opus 10 No 9 by Matteo Carcassi

Opus 10 No 9 by Matteo Carcassi (1792-1853)

Matteo Carcassi Matteo Carcassi was a famous Italian guitarist and composer. Carcassi began with the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. Carcassi wrote a method for guitar (op. 59) that remains valuable, relevant and interesting, blending technical skills and brilliant romantic music.

Read the rest of this entry »

Opus 39 No 28 by Anton Diabelli

Opus 39 No 28 by Anton Diabelli (1781-1858)

Anton Diabelli These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.

Read the rest of this entry »

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