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Opus 50 No 22 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Opus 50 No 10 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Study No 18 (Estudio Sencillos) by Leo Brouwer (1939)
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Juan Leovigildo Brouwer Mezquida is a Cuban composer, conductor and guitarist. He is the grandson of Cuban composer Ernestina Lecuona Casado. Brouwer is best known for his performances and guitar compositions of modern music.
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Etude 7 by Antonio Cano (1811 – 1897)
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Antonio Cano is a classical guitarist, teacher and composer. Cano composed about a hundred pieces and exercises for the guitar. It is probable that he gave lessons to Francisco Tarrega and contributed to the development of the technique of the tremolo. His main contribution is his guitar tutorial: ‘Método de Guitarra’.
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Opus 100 No 19 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Sentimiento Gitano by Sabicas (1912-1990)
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Sabicas was a tremendous genius of his day, not only with technique, but with major contributions, playing Flamenco previously unimaginable and giving new tools and possibilities for the solo instrument. He brought this art to concert halls and major theaters where all classes can enjoy.
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BWV 572 Fantasia in G Major by Johann Sebastian Bach (1685-1750)
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Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
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Opus 299 No 5 in G Major by Carl Czerny (1791-1857)
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Carl Czerny was an Austrian pianist, composer and teacher. He is best remembered today for his books of études for the piano. Czerny’s music was profoundly influenced by his teachers, Muzio Clementi, Johann Nepomuk Hummel, Antonio Salieri and Ludwig van Beethoven.
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Opus 299 No 4 in A Major by Carl Czerny (1791-1857)
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Carl Czerny was an Austrian pianist, composer and teacher. He is best remembered today for his books of études for the piano. Czerny’s music was profoundly influenced by his teachers, Muzio Clementi, Johann Nepomuk Hummel, Antonio Salieri and Ludwig van Beethoven.
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Ejercicio 6 by Rafael Marin (1862-)
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Rafael Marin was a talented guitarist and flamenco music composer. Born in Pedroso de la Sierra, Province of Sevilla, Spain, July 7, 1862. While very young he became an enthusiastic aficionado of the guitar and the flamenco music. Rafael Marin published a Flamenco Method book. “Methodo Para Guitarra- Aires Andaluces“. A bible for many flamenco artists like Ramon Montoya.
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