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Dec 27, 2012 0
Sueno (Mazurca) Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Dec 3, 2012 0
El Columpio by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 20, 2012 0
Opus 13 Sonata Pathetique (Adagio, 2nd Movement) by Ludwig Van Beethoven, transcribed by Francisco Tarrega
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Ludwig van Beethoven’s Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. |
Nov 14, 2012 0
Sueno (Tremolo) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 13, 2012 0
Estudio No 4 (Estudio en Arpegios) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 12, 2012 0
Estudio No 3 in A by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 11, 2012 0
Estudio No 7 (Estudio sobre un fragmento de Beethoven) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 10, 2012 0
Estudio No 9 (en la mayor) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 9, 2012 0
Estudio No 8 (Sobre un fragmento de Mendelssohn) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
Nov 8, 2012 0
Estudio No 11 (Estudio inspirado en J.B. Cramer) by Francisco Tarrega (1852-1909)
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Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma. |
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