Sueno (Mazurca) by Francisco Tarrega

Sueno (Mazurca) Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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El Columpio by Francisco Tarrega

El Columpio by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Opus 13 Sonata Pathetique 2nd Movement by Ludwig Van Beethoven

Opus 13 Sonata Pathetique (Adagio, 2nd Movement) by Ludwig Van Beethoven, transcribed by Francisco Tarrega

Ludwig Van Beethoven Ludwig van Beethoven’s Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky.

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Sueno (Tremolo) by Francisco Tarrega

Sueno (Tremolo) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 4 (Estudio en Arpegios) by Francisco Tarrega

Estudio No 4 (Estudio en Arpegios) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 3 in A by Francisco Tarrega

Estudio No 3 in A by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 7 by Francisco Tarrega

Estudio No 7 (Estudio sobre un fragmento de Beethoven) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 9 by Francisco Tarrega

Estudio No 9 (en la mayor) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 8 (Sobre un fragmento de Mendelssohn) by Francisco Tarrega

Estudio No 8 (Sobre un fragmento de Mendelssohn) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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Estudio No 11 by Francisco Tarrega

Estudio No 11 (Estudio inspirado en J.B. Cramer) by Francisco Tarrega (1852-1909)

Francisco Tarrega Tárrega is considered to have laid the foundations for 20th century classical guitar and for increasing interest in the guitar as a recital instrument. Tárrega preferred small intimate performances over the concert stage. Some believe this was because he played without the nails needed for volume. Others say this was related to his childhood trauma.

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