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Opus 59 No 3 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Opus 59 No 2 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Read the rest of this entry »
Opus 59 No 1 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Read the rest of this entry »
Opus 59 No 15 by Mauro Giuliani (1781-1829)
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Mauro Giuliani was an italian guitarist and composer, and is considered by many to be one of the leading guitarist virtuosos of the early nineteenth century. He was a prolific composer, writing over 150 pieces for the guitar, as well as many chamber compositions for the violin, voice, flute, piano, and chamber orchestra.
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Read the rest of this entry »
Opus 39 No 29 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Opus 39 No 28 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Read the rest of this entry »
Opus 39 No 27 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Read the rest of this entry »
Opus 39 No 26 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Read the rest of this entry »
Opus 39 No 25 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Read the rest of this entry »
Opus 39 No 24 by Anton Diabelli (1781-1858)
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These so-called easy studies are only to be attempted by students who already have a basic technical preparation. The variety of these short pieces allows the student to put into practice all the technical knowledge he possesses so that he obtains the best musical result each time.
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Read the rest of this entry »