BWV 111 May What My God Will Come to Pass by Johann Sebastian Bach

BWV 111 May What My God Will Come to Pass by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 1 How Brightly Shines the Morning Star by Johann Sebastian Bach

BWV 1 How Brightly Shines the Morning Star by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 75 What God Does Is Well Done by Johann Sebastian Bach

BWV 75 What God Does Is Well Done by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 736 I Wish to Bid You Farewell by Johann Sebastian Bach

BWV 736 I Wish to Bid You Farewell by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 767 O God Thou Good God by Johann Sebastian Bach

BWV 767 O God Thou Good God by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 543 Praeludium in A Minor by Johann Sebastian Bach

BWV 543 Praeludium in A Minor by Johann Sebastian Bach (1685-1750)

Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.

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BWV 60 O Eternity Thou Word of Thunder by Johann Sebastian Bach

BWV 60 O Eternity Thou Word of Thunder by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 1006 Preludio by Johann Sebastian Bach

BWV 1006 Preludio by Johann Sebastian Bach (1685-1750)

Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.

Read the rest of this entry »

BWV 756 Now All the Forest Are At Rest by Johann Sebastian Bach

BWV 756 Now All the Forest Are At Rest by Johann Sebastian Bach (1685-1750)

In the early 1700s, Bach’s chorales enchanted listeners with their inventive harmonies, chromaticism, contrapuntal motion, and changes of tonal center. Since that time, music students the world over have studied the chorales as a paragon of “common practice” harmony and voice leading. And, by virtue of their sublime beauty, musicians continue to perform the chorales to this day.

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BWV 572 Fantasia in G Major by Johann Sebastian Bach

BWV 572 Fantasia in G Major by Johann Sebastian Bach (1685-1750)

Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.

Read the rest of this entry »

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