Bouree by Johann Krieger (1651-1735)

Krieger’s keyboard music places him among the most important German composers of his time. The two published collections, Sechs musicalische Partien (1697) and Anmuthige Clavier-Übung (1698), contain harpsichord suites, organ toccatas, fugues, ricercars, and other works. Krieger’s contemporaries praised his contrapuntal skill, evident in the extant fugues and ricercars. Johann Mattheson was particularly impressed with Krieger’s double fugues, remarking that he knew nobody who surpassed Krieger in this form, except Handel. Handel himself admired and studied Krieger’s work, even taking a copy of Anmuthige Clavier-Übung with him to England.
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Capriccio Diabolico by Mario Castelnuovo-Tedesco (1895-1968)

Mario Castelnuovo-Tedesco was an Italian composer. He was known as one of the foremost guitar composers in the twentieth century with almost one hundred compositions for that instrument. In 1939 he migrated to the United States and became a film composer for some 200 Hollywood movies for the next fifteen years.
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Minuet In E by Adam Falckenhagen (1697-1754)

Adam Falckenhagen was a German lutenist and composer of the Baroque period. He received his first musical instruction in the village of Knauthain, the native home of Johann Christian Weyrauch. Weyrauch was a pupil of Johann Sebastian Bach and transcriber of works by Bach for the lute.
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Vivace by Adam Falckenhagen (1697-1754)

Adam Falckenhagen was a German lutenist and composer of the Baroque period. He received his first musical instruction in the village of Knauthain, the native home of Johann Christian Weyrauch. Weyrauch was a pupil of Johann Sebastian Bach and transcriber of works by Bach for the lute.
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Tordion by Pierre Attaingnant (1494-1552)

Pierre Attaingnant was a French music printer, active in Paris. Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci. Attaingnant is often falsely attributed with being the first to develop this technique; however, sufficient evidence exists to suggest that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. He published over 1500 chansons by many different composers.
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Entree de luth by Robert Ballard (1572-1575)

Robert Ballard was a prominent French lutenist and composer. From 1612 he entered the service of the French Regent, Maria de Medici, and was tutor to the young King Louis XIII, becoming a lutenist and composer at the royal court in 1618. He published two books of lute works – Premier Livre de tablature de luth (1611) and Diverses Pièces mises sur le luth (1614).
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Italiana by Vincenzo Galilei (1520-1591)

Vincenzo Galilei was an Italian lutenist, composer, and music theorist, and the father of the famous astronomer and physicist Galileo Galilei and of the lute virtuoso and composer Michelagnolo Galilei. He was a seminal figure in the musical life of the late Renaissance, and contributed significantly to the musical revolution which demarcates the beginning of the Baroque era.
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The Last Waltz by Engelbert Humperdinck (1854-1921)

Engelbert Humperdinck (1 September 1854 – 27 September 1921) was a German composer, best known for his opera, Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province; at the age of 67 he died in Neustrelitz, Mecklenburg-Western Pomerania. His reputation rests chiefly on his opera Hänsel und Gretel, which he began work on in Frankfurt in 1890. He first composed four songs to accompany a puppet show his nieces were giving at home. Then, using a libretto by his sister Adelheid Wette rather loosely based on the version of the fairy tale by the Brothers Grimm, he composed a Singspiel of 16 songs with piano accompaniment and connecting dialogue.
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Its Beginning to Look Like Christmas by Meredith Willson (1902-1984)

Robert Meredith Willson was an American composer, songwriter, conductor and playwright, best known for writing the book, music and lyrics for the hit Broadway musical The Music Man. He wrote three other Broadway musicals, composed symphonies and popular songs, and his film scores were twice nominated for Academy Awards.
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Hard Candy Christmas by Carol Hall (1936-)

Carol Hall is an American composer and lyricist, born in Abilene, Texas. Hall is best known for composing the music and lyrics for the Broadway stage musical The Best Little Whorehouse in Texas (1978, adapted as a film in 1982). Her other major works include the unsuccessful Broadway sequel The Best Little Whorehouse Goes Public (1994), as well as the stage play To Whom It May Concern.
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